Now they’re ‘decolonising’ Shakespeare
Apparently, celebrating the Bard fuels ‘white European supremacy’. What rubbish.
What is it with Britain’s cultural custodians and their hatred of everything British? National self-loathing drips from curators and directors alike, revealed in a Tourette’s-like compulsion to blurt out ‘Decolonise!’ at everything they see. They are currently getting hot under the collar in the sleepy town of Stratford-upon-Avon, where they have Shakespeare’s birthplace in their sights.
Where normal people admire timber-framed houses and marvel at the schoolroom where Shakespeare learnt the classics, our cultural elites see ‘white supremacy’. Where you and I see genius in plays like King Lear, Hamlet and Othello, they see a symbol of ‘British cultural superiority’. They seem to imagine that racist thugs have swapped sharing memes on Telegram for watching Macbeth at the local theatre. Labelling the Bard as a vehicle for white supremacy really is that insane.
With hatred comes flagellation. As such, Shakespeare’s Birthplace Trust – the charity tasked with preserving Shakespeare-related heritage sites in historic Stratford-upon-Avon – is now ‘decolonising’ its vast collection. This means that, just as in practically every other museum and art gallery across the UK, exhibits will be labelled to make clear ‘the continued impact of Empire’ or the ‘impact of colonialism’. In Stratford-upon-Avon, the special twist will be to show how Shakepeare’s legacy has allegedly played a part in this litany of sin.
Shakespeare’s Birthplace Trust has also warned visitors that some items in its collections may contain ‘language or depictions that are racist, sexist, homophobic or otherwise harmful’. Of course they will. The past was a different time, with different attitudes and values. Shakespeare was not subjected to training in diversity, equity and inclusion. Nor was he presented with a style guide advising him as to the correct pronouns to use for his many crossdressing characters. Thank goodness.